Date: early 20th century
Geography: Ivory Coast
Culture: Dan people
Dimensions: 33cm L x 18cm W x 10cm D.
Weight: 374g
Material: wood
Condition: good for its age, some wear and tear on the pigment see photos
West African hand carved wooden Dan mask, dating from the early 20th century. Characterised by its heart shaped face with white kaolin around the eyes of mask typically features a smooth, polished surface achieved through traditional finishing techniques, often using tree leaves to create a dark, rich patina. features include a high forehead, delicate nose, and small, often small holes for eyes or down turned eyes, suggesting an ideal of beauty or a serene, peaceful spirit (Deangle type). The delicate craftsmanship highlights the Dan sculDate: early 20th century
Geography: Ivory Coast
Culture: Dan people
Dimensions: 33cm L x 18cm W x 10cm D.
Weight: 374g
Material: wood
Condition: good for its age, some wear and tear on the pigment see photos
West African hand carved wooden Dan mask, dating from the early 20th century. Characterised by its heart shaped face with white kaolin around the eyes of mask typically features a smooth, polished surface achieved through traditional finishing techniques, often using tree leaves to create a dark, rich patina. features include a high forehead, delicate nose, and small, often small holes for eyes or down turned eyes, suggesting an ideal of beauty or a serene, peaceful spirit (Deangle type). The delicate craftsmanship highlights the Dan sculptor’s skill. Perforations along the rim indicate where a costume of raffia, ptor’s skill. Perforations along the rim indicate where a costume of raffia, feathers, or fiber would have been attached, completing its powerful ceremonial ensemble. This antique is a good example of West African artistry and spiritual heritage.
Originating from the Dan people (also known as the Yacouba) of Côte d'Ivoire and Liberia, these masks hold a profound spiritual and social role. Historically, Dan masks were not merely objects but believed to be incarnate forest spirits that longed to enter the village's civilised world. The early 20th century represents a period when these masks were integral to maintaining social and political order, acting as agents of social control, resolving disputes, and embodying spiritual forces. Different types of masks like the gentle, peaceful Deangle or the more aggressive Bugle performed a variety of functions, from entertainment and initiation to leading men into battle. The spirit of the mask would manifest in a dream to an initiated male performer, leading to its creation and subsequent ceremonial use, where it was thought to bring guidance and protection.
Date: early 20th century
Geography: Ivory Coast
Culture: Dan people
Dimensions: 33cm L x 18cm W x 10cm D.
Weight: 374g
Material: wood
Condition: good for its age, some wear and tear on the pigment see photos
West African hand carved wooden Dan mask, dating from the early 20th century. Characterised by its heart shaped face with white kaolin around the eyes of mask typically features a smooth, polished surface achieved through traditional finishing techniques, often using tree leaves to create a dark, rich patina. features include a high forehead, delicate nose, and small, often small holes for eyes or down turned eyes, suggesting an ideal of beauty or a serene, peaceful spirit (Deangle type). The delicate craftsmanship highlights the Dan sculDate: early 20th century
Geography: Ivory Coast
Culture: Dan people
Dimensions: 33cm L x 18cm W x 10cm D.
Weight: 374g
Material: wood
Condition: good for its age, some wear and tear on the pigment see photos
West African hand carved wooden Dan mask, dating from the early 20th century. Characterised by its heart shaped face with white kaolin around the eyes of mask typically features a smooth, polished surface achieved through traditional finishing techniques, often using tree leaves to create a dark, rich patina. features include a high forehead, delicate nose, and small, often small holes for eyes or down turned eyes, suggesting an ideal of beauty or a serene, peaceful spirit (Deangle type). The delicate craftsmanship highlights the Dan sculptor’s skill. Perforations along the rim indicate where a costume of raffia, ptor’s skill. Perforations along the rim indicate where a costume of raffia, feathers, or fiber would have been attached, completing its powerful ceremonial ensemble. This antique is a good example of West African artistry and spiritual heritage.
Originating from the Dan people (also known as the Yacouba) of Côte d'Ivoire and Liberia, these masks hold a profound spiritual and social role. Historically, Dan masks were not merely objects but believed to be incarnate forest spirits that longed to enter the village's civilised world. The early 20th century represents a period when these masks were integral to maintaining social and political order, acting as agents of social control, resolving disputes, and embodying spiritual forces. Different types of masks like the gentle, peaceful Deangle or the more aggressive Bugle performed a variety of functions, from entertainment and initiation to leading men into battle. The spirit of the mask would manifest in a dream to an initiated male performer, leading to its creation and subsequent ceremonial use, where it was thought to bring guidance and protection.
